26 Appendix A - Article about Behind The Veil “Behind the Veil”: Documenting Early Short Films at the AFI Catalog American Film Institute Sarah Blankfort Clothier Abstract This article describes and makes a case for the importance of the “Behind the Veil” project at the American Film Institute (AFI), which involves unprecedented research of short films released in the silent and early sound eras for documentation in the AFI Catalog. AFI’s research not only assists the Institute’s ongoing efforts to record the profound influence of women and people of color to the creation, distribution, and reception of early cinema, but rectifies an inclination in film scholarship that has long favored featurelength titles — a partiality that has limited historians’ efforts to study how people from diverse communities made films and how they saw themselves on screen. With generous support from the National Endowment for the Humanities, AFI is on a mission to establish the foundation of a new canon that represents filmmakers, actors, and audiences who have been marginalized to date, offering a look “behind the veil” of historical bias to reveal the true breadth of America’s cultural legacy. Figure 1: Film still with actors Gertie Brown and Saint Suttle, William Nicholas Selig (dir.), SOMETHING GOOD-NEGRO KISS, 1898, USA.
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